The story centers around Tsukimi Kurashita, a huge fan of jellyfish (kurage, a wordplay on the "kura/mi" and "tsuki/ge" in her name) and a girl who moves to Tokyo to become an illustrator. She moves into "Amamizukan," an apartment complex that is full of fujoshi (diehard female otaku) with a no-men-allowed rule. However, one day, Tsukimi invites a stylishly fashionable woman to stay at her room at Amamizukan — only to discover that the guest is not who "she" seems to be.
Opening Theme
"Koko Dake no Hanashi (ここだけの話)" by Chatmonchy
Ending Theme
"Kimi no Kirei ni Kizuite Okure (きみのきれいに気づいておくれ)" by Sambomaster
Kuragehime - 04
http://www.mediafire.com/?3wsdvjdp32wxz6j
watch Kuragehime Episode 4 part 1
watch Kuragehime Episode 4 part 2
Otome Yōkai Zakuro
Rating: 4
Review: Humor, romance, action. A novel setting and a dash of Japanese mythology. And comely characters, beautiful art and sleek animation to cover for the holes in its imagination. This is how anime should be. It's the Meiji Era in Japan. Japanese culture is just opening up to Western influences. Not everyone is pleased with the change; specifically the spirits (don't call them demons, that is way un-PC) who have traditionally dwelt in the nation. In an attempt to improve spirit/human relations the Japanese government and spirit elders decide to establish a Ministry of Spirit Affairs. It will be run by a select group of soldiers in tandem with ambassadors from the spirit world. Blunt man's man Riken Yoshinokazura, impulsive wunderkind Ganryu Hanakiri, and spirit-phobic ladies’ man Kei Agemaki are chosen to represent mankind, while the spirits carefully select four half-spirit girls—the most humanlike of the spirits—to represent them: spirited Zakuro, shy Susukihotaru, and mischievous twins Hozuki and Bonbori.
Naturally the girls and guys are immediately paired off—Zakuro with Kei, Susukihotaru with Riken, and the twins with Ganryu—and naturally romantic complications ensue. Even more naturally, something is causing normally tame demons to rampage, requiring the girls to do some exorcising. It is a very familiar arrangement—part shojo drama and part magical girl romp with a little demon action thrown in—and so charmingly executed that it hardly matters. Director Chiaki Kon (When They Cry) handles the adorable relationships with a light touch, navigating the series' pastel moods with surprising ease, while Mari Okada's script flirts openly with the premise's social subtext. The episode's climax, during which Kei's gory expectations of Zakuro's fighting prowess meet the lyrical reality of her spirit powers, mixes evolving relationships, shifting racial perceptions, and gorgeous visuals to stunning effect. A few clichés can't compete with that.
